I was taught to weave by the Tibetans in Nepal. From there I began to explore many forms of weaving. I began weaving “houses” or what I call “Interactional Environmental Art” as a rebellion against Galley and Museums’ don’t touch or get too close to art policy. I wanted people to go inside of my work.

I was taught to weave by the Tibetans in Nepal. From there I began to explore many forms of weaving.

I began weaving “houses” or what I call “Interactional Environmental Art” as a rebellion against Galley and Museums’ don’t touch or get too close to art policy. I wanted people to go inside of my work.

HOUSES

HOUSES

SISAL

SISAL

TAPESTRY

TAPESTRY